Tropedia

  • Before making a single edit, Tropedia EXPECTS our site policy and manual of style to be followed. Failure to do so may result in deletion of contributions and blocks of users who refuse to learn to do so. Our policies can be reviewed here.
  • All images MUST now have proper attribution, those who neglect to assign at least the "fair use" licensing to an image may have it deleted. All new pages should use the preloadable templates feature on the edit page to add the appropriate basic page markup. Pages that don't do this will be subject to deletion, with or without explanation.
  • All new trope pages will be made with the "Trope Workshop" found on the "Troper Tools" menu and worked on until they have at least three examples. The Trope workshop specific templates can then be removed and it will be regarded as a regular trope page after being moved to the Main namespace. THIS SHOULD BE WORKING NOW, REPORT ANY ISSUES TO SelfCloak. DON'T MAKE PAGES MANUALLY UNLESS A TEMPLATE IS BROKEN, AND REPORT IT THAT IS THE CASE. PAGES WILL BE DELETED OTHERWISE IF THEY ARE MISSING BASIC MARKUP.

READ MORE

Tropedia
WikEd fancyquotesQuotesBug-silkHeadscratchersIcons-mini-icon extensionPlaying WithUseful NotesMagnifierAnalysisPhoto linkImage LinksHaiku-wide-iconHaikuLaconic
  • Tropes such as this and Cowboy Cop tend to be more beloved in fiction than in real life for one important yet often overlooked reason: fiction tends to explain things to the audience. Things like "this is the person who did it". If the audience is outright told who committed a crime, then the perception is that any lawyer defending that person is obstructing justice, and any prosecutor going after someone else is miscarrying it. (As a side note, this makes me wonder something about the legal system that's never really been explained to me. In real life, what civil rights are typically afforded someone who has been arrested in the middle of the act of committing a crime? A number of works get much of their conflict from how characters other than the protagonist treat the guilty party like a suspect when the protagonist outright knows who did it.)
    • In answer to your question, in most places, someone arrested in the middle of committing a crime gets much the same civil rights as someone arrested after the fact; they're entitled to legal representation, entitled not to say anything until they've consulted with a lawyer, entitled to a fair and impartial trial by a jury of their peers, and so forth. All that would really be different would be that if the case did go to trial, the charges might be slightly different depending on precisely when they were nabbed (attempted murder, say, instead of actual murder) and the prosecution's job would presumably be made much easier by the fact that they had plenty of witnesses, including police officers, who they could call to testify against the defendant, and evidence that could be more easily preserved. It would be a much more open-and-shut case—which is probably why it doesn't appear much in fiction, because there's less drama (less ambiguity about who the culprit is, and said culprit is more likely to cut a deal rather than risk a trial which they'd be more likely to be found guilty at, and so forth).
      • To say nothing of the fact that in most cases, when criminals are caught in the act of committing a crime, they generally plead guilty (often on the advice of their own attorney) and the trial never takes place at all. Obviously, this doesn't make for good tv, which is why you almost never see it on police procedurals.
  • Isn't the name kinda redundant? ZING! Sorry...