• Before making a single edit, Tropedia EXPECTS our site policy and manual of style to be followed. Failure to do so may result in deletion of contributions and blocks of users who refuse to learn to do so. Our policies can be reviewed here.
  • All images MUST now have proper attribution, those who neglect to assign at least the "fair use" licensing to an image may have it deleted. All new pages should use the preloadable templates feature on the edit page to add the appropriate basic page markup. Pages that don't do this will be subject to deletion, with or without explanation.
  • All new trope pages will be made with the "Trope Workshop" found on the "Troper Tools" menu and worked on until they have at least three examples. The Trope workshop specific templates can then be removed and it will be regarded as a regular trope page after being moved to the Main namespace. THIS SHOULD BE WORKING NOW, REPORT ANY ISSUES TO Janna2000, SelfCloak or RRabbit42. DON'T MAKE PAGES MANUALLY UNLESS A TEMPLATE IS BROKEN, AND REPORT IT THAT IS THE CASE. PAGES WILL BE DELETED OTHERWISE IF THEY ARE MISSING BASIC MARKUP.


WikEd fancyquotes.pngQuotesBug-silk.pngHeadscratchersIcons-mini-icon extension.gifPlaying WithUseful NotesMagnifier.pngAnalysisPhoto link.pngImage LinksHaiku-wide-icon.pngHaikuLaconic

A plot carefully constructed to use all the character-specific skills or abilities of the ensemble.

For example, if your team plays Elemental Rock-Paper-Scissors, they're going to have to face a water trap, a fire trap, an air trap, and an earth trap.

As a plot, it's a double-edged sword; don't do it, and someone gets left out. Do it too often, and it looks like the bad guys are conspiring with the good guys to tailor their defenses to the heroes' strengths. Also, when one of the heroes has a lame power, there has to be a really bizarre obstacle in there to require his ability.

Most often occurs in series with heavy Super-Hero Speciation. Can be the result of a Thematic Rogues Gallery. A good hypothetical example is if the Justice League had to destroy a nuclear threat. Superman and other flying members would take out the strategic bombers, the not-launched missiles would go to the grounded members, such as Batman, and the sub-launched missiles would go to Aquaman.

As a variation, this may apply to multiple abilities or items which a single character has; each item or ability will always find some contrived use.

Compare This Looks Like a Job For Aquaman, which is when the plot improbably makes use of a single character's abilities. This frequently comes up in a Tournament Arc, where the heroes will have to pair off against their equal and opposite villains. It's also common in Tabletop RPGs, where it serves as a way to ensure that everybody's doing enough stuff to have fun. In one-off works, it's a case of Chekhov's Gun - of course they're going to need to crack a safe, or they wouldn't have brought the safecracker.

Examples of Plot Tailored to the Party include:

Anime and Manga

  • The manga version of the Mew Aqua arc in Tokyo Mew Mew had the aliens taking a mew aqua into the realm of each of the girls' influences (For example, Mew Mint, whose power is air, had a chapter with a mew aqua floating above Tokyo Tower.), as they tried to use it to fuel a Death Trap for both the girls and the rest of the city. It never ended up working. In the anime, though, this was abandoned and Ichigo got every single mew aqua, ignoring the other girls' elemental advantages.
  • Digimon is often using it in a not too direct example, but still. In the first series (and second, and pretty much any) the Digimon would only evolve when their DigiDestined proved their specific most remarkable trait like love or honesty.
  • The nightmarishly depressing mecha series Bokurano has a few examples. When the kid who's good at solving problems is chosen as the pilot (against his will, mind you), he happens to face a particularly strategically inclined opponent and is perhaps the only one able to unravel its tactics while successfully defending against them. Later, the emo kid chooses not to fight his opponent, which would doom the planet, but his opponent intentionally kills itself.
    • This may very well be justified as you could easily interpret it to mean they're being assigned to fight the person in the other universe most like (or even exactly like) themselves.
  • One Piece uses a fair number of these to drive home the theme of relying on friends. Every arc will have several fights and situations that will show off the varied skills (combat and otherwise) of the protagonists. For example, Luffy always gets to fight the Big Bad while Zoro often gets to fight the enemy's swordsman.
    • Luffy and Zoro always play it straight while Sanji usually subverts it at first before changing opponent.
    • Sometimes invoked. Most notably in Enies Lobby:

  Sanji (to Usopp): Everyone has something he can and cannot do... I'll do whatever you cannot do, and you do whatever I cannot do!

  • In the second-to-last mass battle of Rurouni Kenshin, Kenshin's True Companions are pitted against the Elite Mooks of the Big Bad, so four one-on-one battles ensue. It quickly turns into a subversion when it turns out that it was the mooks who picked their opponents based on each man's specialties.
  • Yu Yu Hakusho does these nearly constantly. The plot arcs of the show rely heavily on Tournament Arcs, so this is to be expected, but except for Kuwabara sitting out the final arc, the core group members who actually do any fighting got to make major contributions in every arc of the show.
  • In the second season of G Gundam all of Domon's Shuffle Alliance allies learn new ultimate attacks at the exact same time that they happen to fight Domon, the only opponent any of them have lost to, and they use these attacks against him (They, of course, lose again, because Domon is the main character and all). While this would sort of count, the more obvious example is, during the big, Gundam Fight Tournament ending battle royale on Lantau Island, they all use these techniques to help Domon get to Master Asia.
  • Played with in the Sasuke Retrieval arc in Naruto placing the team against the Sound Four. While the big names were Naruto versus Sasuke, the other characters all had a strong showing. Large taijutsu user Chouji faces large taijutsu user Jirobou, while the pair Kiba and Akamaru face off with Ukon and Sakon. There was also the music-manipulator Tayuya versus the shadow-manipulator Shikamaru and taijutsu-expert Lee against kenjutsu-expert Kimimaro. Inverted in the case of melee combatant Neji, who faces long range combatant Kidoumaru.
    • Kiba, Shikamaru, and Lee all had the trope inverted when it turned out they weren't a match for their opponents. It was only last-minute backup from the Sand that saved them... and said backup played the trope by being such perfect counters that only Gaara needed more than one move!
      • Since Kimimaro died because of his sickness and managed to escape Gaara's perfect move, I wouldn't call it a Curb Stomp Battle. Gaara himself acknowledges they were lucky.
  • In Bleach, Yumichika's battle against Charlotte is a perfect example of this, since Charlotte locking the two of them in an impentrable black sphere allows Yumichika to use his shikai, which he has been hiding from all his coworkers, and specifically said he's rather die than use it where anyone can see it.
  • Hilariously subverted in the second season of Black Butler. After giving attention to a number of odd characters early in the episode, once the train they're one is headed towards a broken bridge with a bomb strapped to it set to detonate if they stop and an assasin having kidnapped Ciel, they all get up an anounce the skills they have that can save the day. Everyone rallies together, excited that they can pull it off, only for Sebastian to inform them he doesn't need their help before going and taking care of everything himself.


  • Double-subverted in an issue of Fantastic Four: Cosmic beings conduct an experiment on the team, suppressing their primary characteristics (Reed's intellect, Johnny's temper, Ben's courage and Sue's compassion.) Lo and behold, each one is presented with a challenge that is suited to a secondary characteristic - a monster protecting her child stirs Ben's compassion, an illusion suppressing Johnny's powers causes him to demonstrate surprising smarts, a battery of laser cannons forces Sue to summon up her courage, and an airtight cell forces Reed to tap his normally sublimated aggression to break free.
  • Again with one of Doctor Doom's death traps for Reed, a simple corridor that keeps getting narrower and narrower, doors progressively sealing the way back. Reed is forced to push his stretching abilities to their limits in order to keep going... only to find a dead end.
  • Often the most limiting when dealing with any character whose power is water (especially underwater) based.
  • Sometimes questioned by characters who have the same powers as another, wondering the point in doubling up in powers. Best questioned by Elongated Man to Plastic Man in the miniseries Justice.
    • Often answered: EM is a good guy, often said to be a compentant detective and all, but PM is just more fun to have around to counteract how serious the other heroes are most of the time. Also, this leads to him using his powers in much more inventive ways than EM would.
  • During the Apocalypse War arc of Judge Dredd, Dredd pulls together a team for a mission against the Soviets, including a telepath to obtain secret codes from the enemy's minds...and Judge Ocks, a Big Guy whose sole purpose on the mission seems to be to open a vehicle hatch.
  • Played with (or perhaps double subverted) in a Teenage Mutant Ninja Turtles Adventures special, where reality-altering mole Headrush (acting on Splinter's behalf) tests the turtles with a series of threats obviously designed to fit the turtles' individual skills (a conveyor belt of doom for Donny, pizza monsters for Mikey, etc.). However, whenever it was time for a turtle to face his designated foe, Headrush would then incapacitate him, requiring one (and always one) of the other turtles to step in and handle the threat in his stead.
  • The X-Men and spin-off teams repeatedly encounter obstacles that seem especially suited for one member or another. Some comics are worse than others, but the movies seem especially egregious as they essentially result in each character taking their "turn" to be in the limelight.
    • Perhaps the worst offender was Cypher, whose ability to translate any language was not exactly suited to graphic storytelling. The writers consistently struggled to come up with plots that would make him useful. Later stories extended this power to include computer programming languages, allowing Cypher to become a master hacker and increase his range of expertise.
    • It became especially obvious when you realized that that New Mutants - Cypher's team - encountered a foreign language that had to be translated in order to complete their objective on pretty much every major mission (if a doomsday device was about to destroy the world, you could bet it would would include an instruction manual in an obscure alien language) but no other team ever seemed to encounter a language barrier.
    • On the other end of the writing spectrum, the various X-Teams were often shown to train to gain greater mastery or find creative uses for their powers and to develop team tactics with creative combinations of powers (the most famous being the Fastball Special) specifically to try to avert this trope.
  • During the DC comics series Infinite Crisis, while infiltrating the robotic OMAC satellite, Mr. Terrific remarked that his power was to be invisible to technology. When asked whether such a power was useful, he replied, "It is today."
    • Although given how many robots they end up fighting, that one just seems like a genuinely useful if slightly situational power.
    • Plus, it may have been more of a Batman Gambit, considering that Batman knew of his ability and chose the team members among people he trusted and/or needed (Except for Green Arrow, whom he only asked to join to see how he'd respond).
  • This trope is the bread-and-butter of the Legion of Super-Heroes auxiliary, the Legion of Substitute Heroes. They were teenagers who applied to join the Legion, but their powers were too lame or too specific to be considered useful. But gosh darn if they didn't manage to save the day whenever fate conspired to present them with a crisis that only their lame and specific powers could handle. Example: Color Kid had the power to change the color of anything. Not very useful in a fight. But then he discovered that if he changed the color of green kryptonite, it no longer affected Kryptonians ... while the Earth was engulfed in a green kryptonite cloud.
    • In which case, Green Lantern should have permanently handcuffed himself to Color Kid, making both of them much more useful.


  • Every X-Men movie.
  • Parodied and justified in Mystery Men. Invisible Boy has the power to become invisible, but only when no one is looking, and only when he's not wearing clothes. But what modern evil genius doesn't use security cameras?

  Invisible Boy: See that's what so cool about this team; I mean everyone has their own powers for all these different situations.

  • In the climax of Sky High, a situation arose for each one of "sidekick" characters to show off their fairly useless powers. Zach, whose only ability was to glow in the dark, had his moment when he was used as a human flashlight by the protagonists escaping through a dark tunnel. Ethan used his ability to turn into a puddle to get the drop on a bully through a clever use of misdirection. Magenta, who could shapeshift, but only into a purple guinea pig, used her power to crawl through a small ventilation shaft and and disable a bomb.
  • Zoom: Academy for Superheroes, which regrettably came out about the same time as Sky High, shows the skeleton of its plot a little too often. The worst example of this is in the Climactic Battle, which isn't so much a battle as a recital. The Big Bad talks big for a few minutes, then gets hit by every main character's power exactly once, which puts him exactly where he needs to be so they can Finish Him!.
  • In the first Harry Potter movie, the sequences of killer plant, flying keys, and life size chessboard allow Harry, Ron and Hermione to demonstrate their abilities. In the book, there were several other challenges, such as an angry troll that was supposed to be a guard, but was knocked out by the previous entrant, that made this fact less visible.
    • In the book, it was stated that each obstacle was something from the area of expertise of one specific professor.
  • Justified in Paycheck the movie, as the main character was part of a team of researchers who reverse engineered a machine for viewing the future he was able to fill his pockets with just the right random crap to get himself out of the series of perilous booby traps, assassination attempts, and relationship problems that plagued he the rest of the film.
  • The James Bond movies feature a variant type; whatever inventions Q cooks up for 007, they're always precisely what he needs for the mission. He never finishes the movie with an unused gadget, and he never needs more than one copy of a given device.
    • Parodied by Eddie Izzard: "Bond never gets back and goes 'Q, I had a lot of shit I didn't fucking use! The watch that turns into a hamster, what was the point of that?' "
    • Perhaps unintentionally (and definitely annoyingly) subverted in Goldeneye, where Q spends some length describing Bond's new ride, a BMW Z3, in which Q proudly proclaims has Stinger missiles behind the headlamps. What pivotal role does this vehicle play? About 30 or so seconds of James Bond driving in it before he exchanges it with Jack Wade for a plane. (though this happened because the car came too late into development to be written in)
    • The animated series, James Bond Jr, did the above in practically every episode. Though the gadgets were received from IQ, not Q.
  • Terry Gilliam's film The Adventures of Baron Munchausen.
  • Pretty much the whole point of Signs. All of the characters neuroses and bad life experiences are essential to fighting off the aliens.
  • Monsters vs. Aliens: when Susan/Ginormica gets depowered, the other monsters get to show what they can do. Who knew Dr. Cockroach had a Ph.D. in dance?
    • Even Susan gets in on the act, using her uncanny ability to rollerskate using improbable gadgets.
  • Spy Kids has a rather forced example: In the climax, Juni uses his ability to mimic voices to speak in Floop's voice over the intercom. However, Floop was standing right next to him and could have done it himself.
  • Arguably the point of The Avengers, and done exceptionally well.


  • The 1916 Russian folk tale The Fool of the World and the Flying Ship follows this model perfectly. On his way to win a princess' hand in marriage, the Fool is obligated to pick up anyone who asks to come along with him. Each person he meets has a different bizarre skill, and each one saves his life once when he reaches the Czar and is subjected to various death traps and Impossible Tasks.
  • The fairy tale The Seven Simons is about seven brothers named Simon, each of whom has one skill at which he excels?building an unbelievably fast ship, for example, or retrieving a piece of game no matter where it fell. Very specialized brothers, they are, and each skill just happens to be essential to winning the hand of a princess.
  • The Seven Chinese Brothers tells about seven brothers who are all identical, and each of whom has a powerful ability (hearing, strength, weeping) or immunity (to fire, to cold, etc.) All of these powers allow them to evade execution and live happily ever after.
  • The Brothers Grimm tale The Six Men Who Went Far in the World, where an unemployed soldier teams up with a strong man, a keen-eyed sharpshooter, a super-fast runner, a man who can blow gale-force winds out his nose, and a man who can generate a field of cold by straightening his hat to con a king out of a warehouse full of treasure.
  • Subverted in an Ethiopian folk tale: three suitors of a princess were sent afar to study some special abilities: the first one learned how to tell what was going on far away, the second one learned how to travel really fast, and the third one learned how to resurrect people from the dead. After they finished their studies, the first found out the princess had just died, the second took them all quickly to the princess, and the third one brought her back to life. This lead to a heated argument between the three men regarding which one of them deserves her for having saved her life, and so she is still a virgin to this very day.


  • Frequently arises in A Series of Unfortunate Events, most obviously in The Vile Village. Reversed in The Miserable Mill, where the protagonists are each forced into situations best-suited to their siblings' specialties.
  • Played with in China Mieville's Un Lun Dun: when the heroine learns that the apparently random and pointless series of quests she was supposed to follow were actually carefully designed so that she would end up with exactly the right set of items to deal with the final challenge. It occurs to her, a little too late, that skipping most of the quests to save time might not have been such a bright idea after all.
  • Phèdre nó Delaunay, the main heroine of Jacqueline Carey's Kushiel's Legacy, is a professional courtesan. Among the challenges she faces, you would be surprised at how many of them she manages to solve by having sex with the right man or woman.
  • There's an interesting play on this in the Alex Rider books. Yes, there are some similarities to Bond (by which we mean it's a blatant homage to Bond at times), but there are a few exceptions; for one thing, a lot of the gadgets are pretty generic, so it's not that difficult to think of somewhere to use them. The biggest subversion, though, is his metal-corroding zit-cream. He got it in the first book, where it was extremely handy and then continued to use it every so often for the next few books in the series, until it ran out.
  • Used in every Xanth novel where a character wishes to ask the Good Magician Humfrey a Question. Entrance to Humfrey's castle is guarded by three specific Challenges suited to the Asker's abilities, designed to test the Asker and ensure the Question is not asked trivially.
  • The Jennifer Morgue openly invokes it, hanging lampshades all the while. Ramona says that Bob is caught up in an "eigenplot," and she can't reveal any details lest he become contaminated — he needs to be clean of any knowledge of what's going on so he can make it past the "semiotic firewall." She does, however, discuss concepts such as "danger in a foreign land," "encountering the enemy agent" and "joining with the Dark Anima." The "eigenplot" in question? Bob's been geased by the villain to enact the tropes of a James Bond movie, so that only one British agent tries to stop the plot for world domination — and, since the villain controls the geas, he can stop it when the only thing that could stop him becomes just another boffin.
  • In Harry Potter and The Philosopher's Stone, the defences set up by the Hogwarts staff to guard the Stone count as this. Each of the Golden Trio had to demonstrate their abilities at least once or twice as they passed through each room. For example, Harry had to be the one to get onto the broom and catch the key due to his Quidditch Seeker skills. He also faced off against Quirrellmort in the final room. Hermione had to figure out the potions riddle using logic, her forte. She also dealt with the Devil's Snare at the beginning of the series of rooms. Ron, the skilled chess player, ended up directing and winning in the chess room. The troll, however, had already been dealt with. Quirrell also dealt with Fluffy (temporarily), although Harry & co. developed a plan for that, as well.
    • It could be seen that the first-years' success lay in their vastly different strengths and teamwork, whereas a lone person would be less likely to have all of the skills required to get past all of the obstacles. "Quirrelmort" made it to the final room, but since the Mirror of Erised only gave the stone to someone who wanted the stone but not want to use it, he never would've been able to get it by himself.
    • It's also due to the tasks being created with adult wizards in mind. Most of them aren't good enough athletes for the broomstick ride or well enough acquainted with logic to solve the chessboard or potion riddle. Most adult wizards have little use for the kind of lateral thinking a science or maths major (or Hermione) would, as she points out.
  • This is a key plot point of The Belgariad. The Purposes of the Universe, at war, set events in motion that are calculated to require very specific people to perform very specific tasks. It is openly explained and discussed among the characters. It also crosses heavily over into Xanatos Speed Chess.

Live Action TV

  • Subverted and played straight in Buffy the Vampire Slayer. Sometimes all the scoobies do is get in each other's way, and often their powers or special skills only mess things up more. But in the climatic battle of season four, Xander, Willow and Giles used their specific personalities to help Buffy.
    • And in the climactic battle of season five, they each used their skills to fight Glory and her minions.

  Xander: And the glorified bricklayer picks up the spare!

  • Done in the 16th and 17th episodes of the Greek detective sitcom In the Nick of Time (Sto Para Pente) sporting 12 people brought together in an effort to save one of the main characters under the bad guys' noses. Hilarity Ensues. It is explicitly stated, by the protagonists, that their plot is structured to match every character's defining attribute of personality; only most of these characteristics are not talents but annoying habits. This is so because all these characters were initially introduced as secondary gag characters but are later proven to all be important in the plot.
  • Inverted in Mission Impossible, in which the characters tailored their abilities to The Caper at hand.
  • The A-Team was intended to be one giant Plot Tailored to the Party-slash-spoof.
  • Stargate Atlantis inverts the trope in the episode "Quarantine" when everyone is locked in various rooms and each person has a part of the skills that they need to get out of the situation, except no one is in a situation where they can use those skills: McKay (The Smart Guy) does not have a computer, so Sheppard (The Hero) has to do all the technical stuff; Ronon (The Big Guy) is locked in a room and is thus forced to do nothing; and Zelenka (another Smart Guy) has to do the dangerous air vent crawl that is pretty much Sheppard's trademark.
  • The Crisis Crossover Doctor Who story "Journey's End" is carefully designed so that the resolution requires the TARDIS to be linked to the Cardiff Rift via Mr Smith, using base codes provided by K-9. Something similar happens in the previous episode "The Stolen Earth", when Mr Smith, the Rift and the Subwave network are all used to contact the Doctor.
  • In Sanctuary, in the Season 1 Finale, five characters, each with a distinct "power", are given some form of challenge that makes use of that power, and all five must complete their challenges in order to obtain the "source blood" that they were after. Two of the five, however, had abilities that did not lend themselves well to dangerous challenges. Specifically, the man who had been gifted with ultra-high IQ had to figure out which of two doors he was to enter based on which of two latin phrases more accurately meant "truth", while the woman who had been gifted with longevity had the task of personally knowing her father, who was the creator of the challenges.
    • Will does tease Magnus about her contribution, though, lampshading the less-than-exciting nature of her "superpower."

 Will: And what's your power? Just showing up for the meeting after 135 years?

Magnus: I'd like to see you do it.


 Chief: Okay you guys, listen up. The president's in town next week. Thunder Girl, I'm gonna need your super flying power, Flesh your super strength, Stinky your super sharp shooting, as for

Stinky Diver: He can get the donuts!

Stinky, Flesh, Thunder Girl: Donuts, donuts, donuts! Ha, ha, ha, ha, ha!

  • Smallville, in the episode "Justice": Arthur Curry, the future Aquaman, would have been entirely useless if it weren't for the location of the enemy base; next to water and with an aquatic entrance.
  • In an episode of Team Knight Rider, the team figures out where a group of thieves is going to strike by finding the one place that would require all their individual skills. One of them was a contortionist.
  • Leverage: Hacker, Hitter, Grifter, Thief, Mastermind...and none of it would work if they were short a skill. Of course, following their first case together, the team is Genre Savvy enough to quickly realize they should help train each other in the basics of each other's specialties in case they do wind up a man out. By the second season, everyone on the team is adept at an opening strike: basic pick-pocketing (for things like ID or a wallet), establishing and maintaining a midterm cover identity, or defending themselves in a fight against any non-specialized opponent. At that point, only the masterminding and hacking skills remained entirely specialized, but even that ceased to be an issue afterward. By the end of the series, as Nate and Sophie retired from the game, all of them went up at least one level across the board. Character Development at its greatest.
  • The Warehouse 13 It's a Wonderful Plot Christmas Episode has Pete assemble the regular team, even though in this universe they don't know him or trust each other, in order to break into the Warehouse. This requires Artie's knowledge of the Warehouse (to get to the back door), Myka's knowledge of literature and language (to access the door), Claudia's mad tech skillz (to hack the security system), and Pete's vibes (to tell which of the identical doors in the next coridor is a bad door to go through).

Tabletop Games

  • Considered something of the "ideal" adventure plot in a tabletop roleplaying game like Dungeons and Dragons, where each character advances in a class that defines his or her talents. A smart Game Master keeps in mind the characters' capabilities and tries to include something for everyone. Published adventures try for this as well, but not every player group has the standard fighter/rogue/wizard/cleric dynamic these adventures are written for, and so multiple solutions for critical moments are necessary, making it possible for one character to steal the spotlight from the others by solving nearly everything through the solutions meant for his character type (the answer that works no matter what is usually "bash it apart"). That, or every important plot point is decided by either a fight (which all classes are designed to be able to take part in), or a simplistic puzzle (which doesn't rely on class abilities at all, but the players' ability to figure the puzzle out). Classic tournament adventure C1 has a puzzle specifically designed for the 3-man (Fighter, Wizard, Thief) party (what it's doing in a bunch of ancient Maya/Aztec-type ruins is best left unasked).
    • And then there's the Killer Game Master who specifically creates challenges that the party is not capable of facing.
  • The Plot Tailored to the Party nature of many Dungeons and Dragons modules, coupled with the fact that many PC parties lacked a thief (the least combat-effective class in 1st and 2nd edition D&D) required the game to provide commonly-available ways for thief-less parties to do all the things you nominally needed a thief to do (Knock, Invisibility, Detect Traps, Spiderclimb, Comprehend Languages and Silence 15-foot Radius were all fairly low-level spells that duplicated thief abilities, often more effectively; the Chime of Opening, Boots of Elvenkind, Cloak of Elvenkind, and Ring of Invisibility were all very common magic items that did the same thing). Which lead to a situation where thieves were completely unnecessary unless you needed someone's pocket picked, as that was pretty much the only thief skill there wasn't both a spell and a common magic item to duplicate.
    • One thief-less party infamously filled the role with a log they rolled down corridors. It proved surprisingly effective.


  • Happened almost on a constant basis in Bionicle, so that every character could show off his or her mask or elemental power, because hey, when toy advertising and plot advancement go hand in hand, why not? Though subversions were nearly as common as straight examples. Video and web games abused this to no end, however they often resorted to completely changing the characters' special powers.

Video Games

  • Subtly used in Assassin's Creed II. Each thief, courtesan, and mercenary guild in Florence and Venice will help Ezio with at least one assassination target.
    • Less subtly used in Assassin's Creed Brotherhood, where each guild helps Ezio with exactly one target. However, when preparing to assassinate Micheletto, the thieves pull out last-second, "forcing" Ezio to use his own Assassin guild instead.
  • In the game Zork: Grand Inquisitor, you find three totems: a griff (small, less powerful dragon), a brogmoid (a small, strong creature), and Lucy Flathead (a human woman with telepathy). And where are the Cosmic Keystones located? A sleeping dragon archipelago, a cave behind a strongly boarded door, and a casino. Any of the three creatures can visit any of the locations, but if they're not the right ones, they're next to useless (though Brog can't reach a mailbox before the White House, and Lucy or Griff will have to go there to send mail).
  • Common in videogames, for example, in the The Legend of Zelda games, each dungeon in sequential order is tailor-made with obstacles that require the treasures from the previous ones that the hero had access to. Apparently one can only get around dungeon D with a hookshot (or grappling hook, or magnet gloves) that is only found in one chest in dungeon C. You typically also need dungeon D's item to beat dungeon D's boss.
    • Another method of dungeon design in the Zelda series is to make half of the dungeon inaccessible until you find the right tool in the same dungeon. For example a dungeon in Majora's Mask" where the player can't access the upper levels of the dungeon until they find the bow and arrow in the lower level, but it is common enough in any of the game's incarnations.
    • Also, the final boss battle in Twilight Princess is an example. Each part of the match forces you to make use of different fighting techniques. Possessed Zelda forces you to fighting defensively, spending the entire battle using your shield, dodging techniques, and deflection of her attacks. Pig Ganon forces you to fight as Wolf Link and make use of techniques like the grab and bite and the pushing technique used earlier against Gorons and goats.. Horseback Ganondorf requires you to fight on Epona, with horseback sword fighting and arrow shooting. And finally, the last portion of the fight requires you to engage Ganondorf in a straight-up sword fight that mostly takes away the techniques that the Hero's Shade taught you, forcing you to stick with the techniques you learned when you first got the sword.
  • In the Mega Man series, and the following Mega Man X games, all of the end level bosses have specific weakness to weapons that you get from other bosses. This ensures that even the most useless weapons for fighting through the stages have a specific use. However, since bosses in some games are selectable in any order, they CAN be beaten without the specials. It's just a lot tougher. Playing 2 for the first time and thinking "I'll try going against Quickman first." is a sobering lesson in Nintendo Hard level design. Messed with in X, wherein the bosses had a particular order of weaknesses, but the special items (boots, armor, etc.) had a different optimal order. To get all the armor pieces without backtracking, you had to completely disregard the boss' vulnerabilities.
    • A stage in Mega Man 8 takes it further, though. After clearing the first four Robot Masters, you face four more before tackling Wily's base. Sword Man's dungeon gets special mention for the first half of it is testing your skills in using your new powers: Ice Wave to freeze fire pillars below the pathway to cross, Tornado Hold to push the hover switches up and open pathways, Flash Grenade to see where you're going in the dark rooms, and Thunder Claw to swing around chasms.
  • The Lost Vikings. The whole game (and its sequel) are based around this trope. Each of the vikings has a specific set of abilities (not necessarily including combat) which are required to solve all the puzzles in their path. Sometimes levels divide into distinct parts, tailored for each particular character. The sequel goes even further with adding two more characters, while still allowing you to control only three at a time. Each level can be solved by a given combination and only by it.
    • Trine attempts this; with the Wizard able to create objects and move then with the power of his mind, the Thief's grappling hook and ability to jump higher leaving the Knight to take out the numerous creatures that attacks the group. Only the Thief also has a bow which can be very powerful once upgraded a few times leaving the Knight to be rather useless.
  • Same goes for Avatar: The Last Airbender licensed games for GBA. Player always controls up to 3 characters out of minimal roster of 4. When and only when [1] you get a new character, you start getting puzzles for him.
  • Many, many, many console RPGs have at least one door that cannot be opened unless a set of switches are pressed simultaneously, where the number of switches is precisely equal to the game's Arbitrary Headcount Limit for no adequately explained reason.
    • Subverted (?) once in Sonic Chronicles, where one of these puzzles appears, but there's six buttons and only four characters in the party. Played straight the rest of the time, though.
    • Happens twice in Tales of Phantasia, with the second being an aversion in every version of the game after the first. Since Suzu was promoted to Optional Party Member, it's possible to have one more character than needed.
  • The entire point of Superhero League of Hoboken, where there's at least one puzzle that requires any given superpower... except for the main character's, which is never of any use at any point in the game.
  • In the various Lego Adaptation Games, in order to get every last item, you need to through the levels in Free Play mode, where the game gives you at least one of every type of character. Note: It is not meant for the player to pick whatever characters he/she wants although one choice is allowed - it's there just to allow him/her to get every single item.
  • Subverted in both City of Heroes and Champions Online. Especially in the latter game, due to the ability to take almost any combination of powers, there's really no "default" team setup or even default set of powers that designers can rely upon.
    • Played straight in certain encounters, such as the Hamidon Raid which has 3 different sets of weak spots, and each set can only be countered by a specific type of attack: yellow spots are weak to melee attacks, blue spots are weak to ranged attacks and green spots are vulnerable to paralyzing attacks.
  • In the Wii version of A Boy and His Blob, you're always given the specific set of jellybeans that you need to get through the level, no more, no less.
  • Mass Effect 2: The suicide mission where you take out the Collector Base gauges your success based on how well you're able to invoke this trope. Choose the wrong person for the wrong job and people will die. Inverted with Thane: a lot of the pre-release marketing focused on the drell assassin, to the point where he features on the cover art. He plays no role in the suicide mission.
    • His Warp ability makes him almost ideal to fight the collector, though...
    • The only 'specialist' role that anyone is qualified for is escorting whatever's left of the Normandy crew back to the ship - provided you've secured their loyalty, anyone will make it. Mordin, Tali or Kasumi are who most people pick, though, as they're the most likely to die holding the line even if loyal.
  • Final Fantasy X masterfully uses this for the battle system, with each character being especially effective against one enemy type: Tidus can hit nimble/evasive enemies, Wakka takes down flying targets, Auron can pierce the defences of armoured enemies, Rikku can dismantle mechanical enemies, Lulu deals with enemies that are weak against magic, Yuna is your primary healer (and her summons are ideal for facing or finishing off bosses), and Kimahri does a little of everything
  • The Airforce Delta Series plays this straight with multiple specialized pilots. Some missions require slow prop or VTOL fighters, some are for air superiority fighters, some for ground attack, one for Mach-3 recon aircraft.
  • The first three games of the Wild Arms series will let you use the entire party members to do a specific task, like jumping, finding things with the use of a radar, changing gems, and so on and so forth. The latter games however ditched this concept.
  • RuneScape: In the final scene of "Salt in the Wound", you need Ezekial's explosives expertise to break through damaged walls, Kennith's persuasive abilities to manipulate a mind-controlled villager, and Eva's strength and combat skill to hold off the guards and deal the finishing blow.
  • Legacy of the Wizard has five playable characters. Four of them have areas requiring their special abilities (at least in concept), and at the end of each is a crown. Once all four crowns have been collected, the fifth character is needed to obtain the Sword of Plot Advancement and fight the Final Boss.
  • Everyone's skills are needed at some point or another in Magical Starsign, but the funniest example has to be during a massive forest fire. The water mage locates an underground aquifer. The earth mage cracks open the ground so that the water can reach the surface. The air mage uses the spring the previous two mages created to start a massive rainstorm that douses the fire. The nature mage regrows the forest. And then the fire mage decides it's his turn to contribute, and is promptly stopped by the rest of the party because all that work to stop the fire, they really didn't need another one.
  • Dark Cloud does this a lot. There were pits with a single stalactite poking out only Xiao could cross, big buttons only Goro's hammer was strong enough to push down, magic crystals for Ruby to activate by magic, smoke barriers Ungaga could blow away, and deep gaps Osmond could fly over.
    • Both Dark Cloud games also include levels with seals on them that only one character can be used on. Usually there is a level like this right after you get each new character to make you try them out.


  • The "Demon Seed" arc of The Dragon Doctors is the first one that makes full use of the abilities of all four magical doctors at once. The patient is a man with a sentient parasite slowly devouring him from within, can see everything he sees, and will take over his body and attack if they alarm him. First Kili the shaman/therapist puts the patient into a hypnotic mind-meld trance, then his body is magically petrified by the wizard to trap the parasite and keep him stable, then the Magitek diagnostician and surgeon drill it out of his body one piece at a time.
  • Lampshaded in General Protection Fault's Harry Potter parody

 Harry: Am I the only one who thinks it's suspicious that each of these tests is something one of us is good at?

  • Lampshaded in Irregular Webcomic's Supers theme, where DMM complains about the difficulty of tailoring a plot to a party comprising Captain Spatula, Dino Boy, Refractive Man and Worm Master.

 Worm Master: Yes! Now I can control the mutant space worm!

Refractive Man: So the dinosaur DNA filtered by a laser fired through my torso and fed to it on a spatula worked?


Western Animation

  • The Winx Club ep "Truth or Dare" had the Winx Eigen-ing up a simulacrum out of their fundamental powers.
  • Aquaman of the Superfriends gave rise to an infinite number of such plots. Superman is a member of the Superfriends, and arguably pretty much every plot which involves him is kind of an inverse Eigen Plot, as they have to use Kryptonite or otherwise disable him somehow to give everyone else something to do.
  • Lampshaded in an episode of Teen Titans. Control Freak, a teenage TV addict super villain comes up with a Plot Tailored to the Party featuring a trial for all of the Teen Titans. He is upset to find that they're out of town and a secondary team is in their place. As the challenges were tailored to the exact limits of the main cast, the secondary team easily manages them. He has a temper tantrum and then returns with specific challenges for the substitutes.
  • Kim Possible gives Ron's father, an actuary, a chance to demonstrate his heroism by coming up with a math-themed villain specifically for him to have a Let's Get Dangerous moment against. Being Kim Possible, the implausibility of this is obviously lampshaded.
  • Usually justified in the animated series M.A.S.K.. Each episode began with the leader choosing which team members to bring based on the mission at hand. Therefore all characters in an episode had a legitimate reason to use their specialty. For example, if a mission was in the middle of a desert, they just didn't bring along the underwater specialist. This still resulted in a lot of lucky guesses as to who would just happen to be needed, though.
  • The James Bond variant was spoofed in an episode of American Dad, where Steve plays the Q character, S, and all his inventions make the boobs of the nearest woman larger. Of course, it comes in handy later on...
  • Played straight most of the time on Galaxy Rangers. There were usually computers to hack, hostile environments, something that could usually be psychically "read," and a need for the captain to coordinate things. However, the show also loved Absentee Actor, so just as often they'd end up short a teammate who would have been really handy at that particular moment.
  • A variant is used in the second episode of My Little Pony Friendship Is Magic. As the six leads make their way through Everfree Forest, they run into obstacles that give each pony the chance to display their greatest virtue, such as Applejack's honesty helping reassure Twilight Sparkle during a Literal Cliff Hanger, and Pinkie Pie literally laughing in the face of danger. In this case, it serves two purposes: getting them through the forest and helping Twilight recognize what each of her new companions' biggest strengths are.
  • One episode of Wolverine and the X-Men invoked this trope explicitly. A ship carrying mutants to Genosha is attacked by pirates in search of mutants with useful powers. They end up kidnapping all of the adults and leaving the kids behind on the sinking ship. The kids' abilities are: breathing underwater, making "sticky goop", talking to machines, making things shatter by focusing on them, and butterfly wings. Initially, they mope around on the ship because they believe their powers are useless, but Nightcrawler appears to show them that no one is useless. At Nightcrawler's direction, they shatter some cargo crates and have the underwater-breathing kid glue them onto the breaches using the sticky goop. The girl who talks to machines navigates the boat, and the girl with butterfly wings makes and puts up a flag of questionable usefulness. Then they chase after the pirate ship, where Nightcrawler uses his powers to duel the pirate captain and save the grownups.
  • An episode of The Powerpuff Girls used a variant somewhat similar to the James Bond example above: A gigantic flaming meteor that's too hot to approach menaces Townville shortly after Blossom learns that she has ice breath. Unlike Bond, however, Blossom tried to use the ice breath in other situations and only made things worse, resulting in a Heroic BSOD, and it pops up in a few later episodes instead of just disappearing after its debut.
  • Played with in an episode of Adventure Time where Finn and Jake enter a dungeon at different times, and go different paths. Finn winds up facing a lot of challenges that are nearly impossible for him, but would be child's play for Jake — Physical challenges, fights against large monsters, and a seemingly undefeatable cat monster who only fears dogs. Jake, meanwhile, winds up facing challenges that only Finn would be good at--Picking a sandwich over a sword to fight a guardian, a spitting contest, and so forth. The episode is an example of what happens with your ensemble is missing a member that the Plot Tailored to the Party was designed around.