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"Saving it from extinction."
Frank Cottrill Boyce, when asked what Davies' greatest contribution to British television was.
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British producer and screenwriter, born in Swansea in 1963. He added the T to his name because there was already a Russell Davies in UK media.

Known as RTD (or sometimes "Rusty") by Whovians, he has a penchant for naming characters "Tyler" and/or "Smith". He also tends to inject Camp and Techno Babble in very large doses.

Originally from a background in children's TV, he wrote and produced a number of adult dramas between the mid 90s and the revival of Doctor Who in 2005, most notably Queer as Folk, and soon became one of the most influential and popular TV writers in the UK.

He was one of the executive producers on Doctor Who, along with Mal Young, Julie Gardner and Phil Collinson. RTD, however, was in charge of the creative aspect and is the "showrunner" as a US person would think of it. He is responsible for the revival of Doctor Who in 2005, and he also created its spin-offs Torchwood and The Sarah Jane Adventures.

Davies has written several Doctor Who episodes and specials over his tenure as producer, and been responsible for rewrites on many more. He has now stepped down from the position following the conclusion of production on the David Tennant era, handing the reins to Steven Moffat.

Master of the Wham! Line and the Wham! Episode: in his five years on Doctor Who, he was infamous for leaving the penultimate episode on a massive cliffhanger to whet appetite for the finale. He's also critical of TV executives using "Tonight Someone Dies" and similar catchlines in commercials and claims that it impacts ratings — and admittedly, he has a point.

Liberally uses Author Appeal, and as a result, placed Wales firmly in the centre of the Whoniverse alongside London. Also became famous for finally upgrading all the Ho Yay subtext in Doctor Who to proper TV canon, for abolishing No Hugging, No Kissing in the series forever, and for dialing all of the above — Wales, Ho Yay and tons of sex — Up to Eleven and beyond in Torchwood.

Was awarded an OBE in 2008.

Davies returned as showrunner for Doctor Who in 2023 following the departure of showrunner Chris Chibnall and actress Jodie Whittaker, taking over following the 2022 Specials bid goodbye to the Thirteenth Doctor.

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Writer/Producer on:

Tropes associated with him and his writing[]

  • Author Appeal: RTD adores setting works in Britain and referencing the culture of the place.
  • Author Tract: RTD is a very progressive person and themes of inclusivity (particularly a Gay Aesop) and the plight of minority groups can often be found as messages in his works.
  • Camp: All of his work, to varying degrees.
  • Civvie Spandex: Compared to the more eccentric outfits of other Doctors, the Doctor's he written for (Nine, Ten, Fourteen and Fifteen) tend to have more understated and human-y looks. It's hardly exclusive to his Doctors but he does it more than any other showrunner.
  • Everybody Lives: While Steven Moffat named that trope, it's probably more attributable to RTD's time on Doctor Who. Though there are some major asterisks, the Moff's main companions were all Killed Off for Real. RTD's main companions by contrast got happy endings.
  • Reconstruction: In a different manner than Steven Moffat. The Moff's work tend to be Decon Recon Switches, reaffirming who the Doctor is despite not being shy to call out the Time Lord's flaws, demystifying the Doctor despite showing what a force for good they are. RTD's works lean into the campiness inherent to Doctor Who, but plays those aspects straight, showing the sense of unease and terror that results from such alien things plopped down in the real world.
  • Signature Style: Count on a "Smith" or a "Tyler" appearing in his work.