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  "Zac Hobson, July 5th. One: there has been a malfunction in Project Flashlight with devastating results. Two: it seems I am the only person left on Earth."


The Quiet Earth was a film created in New Zealand and directed by Geoff Murphy, starring Bruno Lawrence as a scientist who awakens in a hotel room to find himself the last man on Earth. The film was originally based on a novel by Craig Harrison, but bears very little resemblance to the novel's plot. While the film was marketed as a film about the last man in the world, the trailers did a good job of spoiling that particular plot point.

The film contains examples of the following tropes:

  • Alien Sky
  • The Aloner: All of the protagonists qualify, at some point or another.
    • Alone in a Crowd: Turns into this for Zac, when the other two begin to grow closer to each other and exclude him (at least from his point of view.)
  • Apocalypse How: Very close to a Class 4, although a very tiny fraction of humans and other beasts manage to survive; vegetation is left largely untouched. Since the extinction event is apparently a cyclical event that will happen over and over again, eventually the world will be completely empty, making it a theoretical Class 5 after enough repetitions.
  • Big Fancy House: Zac lives in one for a while, once he realizes it's time to "move up in the world."
  • Book Ends: The film begins with a slow shot of a sunrise. The film ends with, well, a planetrise - yeah, that enormous ringed world on the cover finally makes its appearance in the film's closing shot.
  • Chekhov's Gun: Zac uses a remote-control system to control a lawnmower at one point in the film. At the end, he suggests using it to deliver a truck full of explosives to a site. Ultimately subverted, however; Zac ends up delivering the payload himself.
  • Cover Drop: The picture on the front of the box? It's not just artwork; it's the ending of the film. Whether or not this spoils the ending is up to the viewer - the scene really has no bearing on the plot.
  • Cosy Catastrophe: At first Zac has a relatively easy time coping with the end of the world - drinking champagne in a huge mansion, filled with paintings and other finery that he collected himself.
  • Depopulation Bomb: The entire premise of the film.
  • Despair Event Horizon: Crossed by Zac early on, and in a big way. He gets better, at least temporarily, but it's a close thing.

  Zac: I've been condemned to live.

  • Driven to Suicide: Subverted after Zac's rampage, when he attempts to eat his shotgun but doesn't go through with it, and instead manages to pull himself together.
    • Played straight later in the film, when we learn that the only reason Zac is still alive is because he never expected to wake up in that hotel.
    • Played straight again by Zac's attempt at a Heroic Sacrifice in the ending. But he fails, and is left alone. Again.
  • Go Mad From the Isolation: Zac
  • Good Times Montage: Zac gets one early on, as he enjoys all of the pleasures that the empty world has to offer, including playing with both train sets and real trains and driving a new car through a shopping mall, and decorating a mansion with as many pieces of fine and expensive art that he can find. It gets worse, though, as the emptiness of it all and his own guilt over causing it starts getting to him.
  • Insane Equals Violent: Zac's rampage once he snaps involves him threatening a life-sized crucifix with a shotgun as he rails at God, then destroying buildings with construction vehicles.
  • The Last Man Heard a Knock
  • My Greatest Failure: Zac feels responsible for the results of Project Flashlight, because he didn't challenge data that he felt was incomplete and chose to try to kill himself instead. It's unclear whether or not he could have made a difference if he had spoken up. Still, he spends much of the second half of the film trying to track the effect and find a way to prevent a second one.
  • Naked Apron: When Joanne serves Zac in the hotel.
  • New Era Speech: A passionate and teary example is made by Zac Hobson - resplendent in his chemise - from the balcony of his new mansion to an audience of cardboard cutouts and a combined background music/applause track.
  • No Name Given: Only Zac Hobson is given a surname. There are a handful of other named characters (Joanne and Api, as well as a corpse named Perrin that Zac holds a brief, one-sided conversation with) whose last names are never given in the film.
  • Playing Against Type: Bruno Lawrence was known for playing working-class roughs; he does a good job as a quiet, introverted, tormented scientist, but it isn't a role he would've been expected to play.
  • Rage Against the Heavens: Zac bursts into a church screaming, "If you don't come out, I'll shoot the kid!" The kid being a life-sized crucifix.
    • And he does shoot the kid, and after destroying a malfunctioning organ that keeps playing notes as he stands there, he declares that he has killed God and taken his place.
  • Sanity Slippage: The first third of the film shows Zac's slow descent into madness.
  • Scenery Porn: The countryside is almost a character in itself.
    • Scenery Gorn: There are quite a few scenes of the destruction that would be caused by the disappearance of mankind as well, including an airplane crash.
  • Survivors Guilt: Zac gets this in spades. Api and Joanne as well, although not nearly as much.
  • Token Minority: Considering the film's premise, Api may well be the only Maori left in the world.