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 The past was yours but the future's mine

You're all out of time

The Stone Roses, "She Bangs the Drums"


The Stone Roses were an Alternative Rock band from Manchester, known primarily for being the Trope Codifier for the Madchester movement in the late eighties and early nineties, despite the fact that they did not consider themselves members of the Madchester scene.

Their style is largely a mixture of indie rock, psychedelic rock and dance music. Its defining traits are bright, catchy sixties-style guitar riffs, a very funky rhythm section supplying good beats that you can dance to, slightly Beatlesque vocals, frequent extended songs and a heavy influence from Psychedelic Rock.

The band's key lineup, as seen in the picture above from left to right, was:

  • Ian Brown, vocals (second, with the Dull Surprise stare)
  • John Squire, guitars and artwork (third, with the wannabe-sixties haircut)
  • Mani [1], bass (first, looking vaguely contaminated)
  • Reni [2], drums and backing vocals (fourth, fella with the Nice Hat)

The band was formed in 1984 by Brown and John Squire, its initial lineup including Reni and two other dudes who aren't important (guitarist Andy Couzens, bassist Pete Garner). They initially wasted time as a gloomy, synth-heavy goth-rock band inspired by Joy Division, but permanently changed their sound in 1987 by firing the unimportant dudes and bringing in Mani, which led to them discovering their Signature Style, "Psychedelic Rock you can dance to".

Now signed with Silvertone Records and working with producer John Leckie, their debut album The Stone Roses was released in 1989 to massive critical acclaim and huge commercial success, and is still regarded today as one of the best albums ever created by a British band. The record spawned several successful singles, such as "I Wanna Be Adored", "She Bangs the Drums" and "Waterfall", all major hits on both the UK Singles Chart and the newly implemented Billboard Modern Rock Tracks chart in the United States. The Stone Roses embarked on a successful tour of England, which culminated in a huge outdoor gig on Spike Island attended by 27.000 people on 27 May 1990 (plagued by bad organisation and sound problems), and continued to release singles.

Soon, the band decided to capitalise on success by moving to a major label, but Silvertone refused to let them out of their contract. An injuction filed in September 1990 prevented the band from recording with another label and started a long legal conflict between the band and Silvertone. The band eventually won in court and moved to Geffen Records, but the conflict blocked their activity at a critical time and slowed down their career by forcing them out of public view. In the meantime, Silvertone released the compilation Turns into Stone in 1992, containing all the non-album singles released until that point mixed with B-sides and new material, and re-released the band's previous singles as well.

The sessions for a new album finally commenced in 1993 but were repeatedly hampered by personal turmoil, culminating in Leckie's departure and the relocation to Wales with engineers Simon Dawson and Paul Schroeder. The album, entitled Second Coming, was finally released in 1994, seeing the Stone Roses break from their colourful, psychedelic dance-rock and moving towards a heavy blues-rock sound patterned after Led Zeppelin and Jimi Hendrix. The album drew a lukewarm reception with critics (a main criticism towards it being "endless soloing" on Squire's behalf) and only moderate commercial success, although first single "Love Spreads" became the band's highest charting single in their entire career.

The band's resulting tour was disastrous and saw their gradual disintegration, with Reni leaving in March 1995 (replaced by Robbie Maddix) and Squire leaving in April 1996 (replaced by session guitarist Aziz Ibrahim). After two infamously bad performances at Benicassim and Reading festivals in August that year, the group was finally disbanded by Brown and Mani in October 1996.

Ian Brown has since continued with a solo career, Squire carried on for a while with his new band The Seahorses before retiring from music in favour of painting, Mani's in Primal Scream now and Reni... kinda fell off the face of the planet or something.

While The Stone Roses' moment in the sun only lasted about two and half years and Madchester collapsed very quickly, their music remains critically acclaimed today, and their combination of Sixties-style guitar riffs and dance rhythms proved to be highly influential on Britpop. Oasis frontmen Noel and Liam Gallagher in particular are self-professed fans of the Stone Roses. The bandmembers themselves liked Oasis in return (Squire showed up at one of their concerts to play additional guitar on "Champagne Supernova" and Oasis borrowed Stone Roses equipment during the recording of Definitely Maybe), but disliked the rest of the Britpop scene, calling them "Kensington art-wankers".

On the 18th of October 2011, the band announced they were reuniting, and going on a world tour. Oh, how the fandom rejoiced


  • 1989 - The Stone Roses
  • 1992 - Turns into Stone (compilation of non-album singles, B-sides and new material)
  • 1994 - Second Coming

There's also Garage Flower, an Old Shame 1996 release of an album originally recorded in 1985 with Martin Hannett and showing them in their initial crappy Post Punk incarnation, some EPs (Sally Cinammon and Crimson Tonight), some singles remixed by Silvertone without the band's approval and some cheap cash-in compilations (The Complete Stone Roses and The Very Best of The Stone Roses - the latter at least had band input into song selection).

Tropes related to The Stone Roses:

  • Album Title Drop - Turns into Stone is named after the final line of "One Love".
  • Author Appeal - Republicanism, the May 1968 student riots in Paris.
  • Brick Joke - A musical example of this shows up in the 8-minute long "I Am the Resurrection". The first three minutes are dominated by a Motown-influenced groove with a catchy, descending bassline. After Ian Brown finishes his vocals, the band launch into an epic 5-minute funk-rock improvisation. And towards the end, Mani works in the descending bassline again.
  • Chorus-Only Song - "I Wanna Be Adored".
  • Continuity Nod - "Fool's Gold", "What the World Is Waiting For" and "One Love" all recycle the same drum beat sampled from "Hot Pants" by Bobby Byrd.
  • Creator Killer - The sales and critical indifference to Second Coming did not help the band, and they broke up few years afterwards after an ill-fated tour.
  • Darker and Edgier - Second Coming, especially "Begging You". There is a lot of debate over whether the Darker and Edgier shift was successful.
  • Echoing Acoustics - Hey, check out the eighties gated reverb on the drums on The Stone Roses.
  • Epic Rocking - "I Am the Resurrection", "Fool's Gold", "One Love", "Something's Burning", "Breaking into Heaven", "Daybreak", "Tears" and "Love Spreads". Emphasis on the "epic" part.
  • Executive Meddling - Silvertone Records' attempt to get more money by re-releasing singles and trying to stop the band from moving to another label. It arguably ruined their career due to the forced hiatus.
  • Genre Shift - Second Coming, a Hard Rock/Blues Rock album with techno bits.
  • Gold Fever - "Fool's Gold".
  • It Got Worse: The band's history after their debut album was released.
  • Lyrical Dissonance - Often.
    • "Bye Bye Badman" is an upbeat pop-rock song about the May 1968 student riots in Paris.
    • "Made of Stone" is another anthemic, catchy tune whose lyrics reference the 1968 riots again, especially using imagery of burning cars.
    • "Shoot You Down" is laid-back funk-rock song about shooting someone down, also mentioning about how said victim always had it coming.
    • "Elizabeth My Dear" is a Simon and Garfunkel-style ballad (with the melody even borrowed from the old English folk tune 'Scarborough Fair' ) about wanting to dethrone the Queen.
  • Mondegreen - "I wanna be a dog", "I wanna be a door", etc.
  • Mood Whiplash - "One Love"'s verses are, in rough order: Intercourse with You-implying boasting, LSD-implying Word Salad Lyrics, optimistic chorus, repeat.
  • Nice Hat - Reni frequently wore bucket hats while with the band, to the point that they're now nicknamed "Reni hats".
  • Neoclassical Punk Zydeco Rockabilly - Psychedelic Funk Rock.
  • New Sound Album - Second Coming.
  • No Export for You - The band canceled a plan tour of the USA in 1990 saying "America doesn't deserve us yet." That bit them in the arse later on when they toured the USA in support of Second Coming.
  • Not Christian Rock - A good question, since Brown and Squire tend to use religious imagery a lot. This fan site manages to make a pretty good argument that most of their songs contain at least a few references, intentional or not, to the Bible or Christianity in general. "I Am the Resurrection" is pretty overt when it comes to religious overtones. "Breaking Into Heaven" criticises the concept of Heaven and states that waiting to die is unnecessary since "the Kingdom's all inside". And perhaps the most famous, "Love Spreads" reimagines Jesus Christ as the narrator's black sister.
  • Oop North
  • Overshadowed by Awesome - John, Mani and Reni are well-respected for their instrumental prowess (Reni at one point was called "the best drummer in indie"). Ian... is the singer. In some interpretations Ian gets cast as The Load because of his average vocals and infamous trouble with staying in tune while singing anywhere that isn't a recording studio (one reviewer said that in concert he sounded like a man who sang into a bucket).
  • The Pirates Who Don't Do Anything - They spent a lot of time apparently watching football instead of working on their second album, which is why there was a five-year gap between their debut and Second Coming, not counting the part where they had to waste two years in court to get out of their contract with Silvertone.
  • The Pete Best - Andy Couzens and Peter Garner.
  • Record Producer - John Leckie is often credited as helping the Roses become awesome, which is quite justified when one hears the demos of the songs from their first album.
  • Screw Destiny - "Breaking Into Heaven".
  • Short Lived Big Impact: They managed only two albums and yet were a big influence on many rock bands of the Nineties.
  • Single-Stanza Song - "Elizabeth My Dear".
  • Stop and Go - "I Am the Ressurection". During the aforementioned epic 5-minute funky improv, at one point the band stop playing. There's a few seconds of silence before they start again as if nothing had happened.
  • Subdued Section - Quite a few (example: "Standing Here").
  • Title-Only Chorus - "I Wanna Be Adored" and "This Is the One" are almost this trope.
  • Wanton Cruelty to the Common Comma - The back cover of Turns Into Stone doesn't have apostrophes. This has served to confuse some fans into thinking the songs are actually called "Fools Gold" and "Somethings Burning".
  • When She Smiles - "Standing Here"'s chorus.
  • Word Salad Lyrics - Pretty frequent actually.
  1. real name: Gary Mounfield
  2. real name: Alan Wren